| Patterns, whether dressmaker or behavioral, involve instructions, rules, and directions. Because dressmaker patterns are identified so closely with women, when given sculptural form, they can carry meaning that goes far beyond fashion. To follow a pattern is to follow another's design, societal expectations, ways of being in the world, and to accept the remarkable notion that "one size fits all". Yet, in my sculpture, the marks and directions are backwards and difficult to decipher, and the forms are of my own invention. Going "against the grain", this work embodies metaphors about conformity to narrowly defined roles and rules for women - patterns of behavior. This sculpture questions the acceptance of stereotypical female behavior instead of assuming the burden to search for individual and authentic identity. | ||||||||||
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FLIGHT PATTERN |
The tissue-thin ochre pattern paper covered with black markings is layered over steel mesh to produce translucent, richly textured surfaces that appear fragile, yet are very resilient. |
HOLDING PATTERN |
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"McDaniel's work is about patterns of communication and the lack thereof; desire to have a voice combined with the inability to speak. Sculpture, for the artist 'counts, marks time, measures, sags, hangs heavily, offers counsel and advice, rages, sometimes smiles, and occasionally sits quietly in silence.' Sculpture is her voice." - Francine Koslow
Miller, Joyce McDaniel |
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